Comic Book Covers

I've read in a few places that people are frustrated or annoyed with Marvel's policy of their comic covers being "generic" representations of the heroes rather than specific images relating to the story inside. If the concern is that Marvel is abusing the creators by using an artist's work over and over, well, that's what they pay for. If the concern is that a reader is not able to figure out what may be inside a given issue based on it's cover, it seems to me that if you are going to buy a Spider-Man comic book (and I certainly have), I would reason that you have some idea of what the story will be like. If the concern is that the artist on the inside is not the same as the cover artist, I think you might be jumping on that bandwagon a bit late. The earliest comic I can think of (I'll go with Action Comics #1 for familiarity sake) had artists inside that weren't represented on the cover, and there are many very popular artists who only create covers these days (Adam Hughes, Brian Bolland, and James Jean pop into mind).

In my estimation, Marvel's policy of not marrying cover to interior story content hasn't particularly produced some shoddy cover work. In fact, I think they have managed to update their style to finally move it away from the stereotypical, copy-laden, story-focused, generic covers that have plagued the industry for decades. I did a quick grab of a 1970's cover by one of the most popular comic artists from the era from my favorite online auction house. I took the first super hero cover I found, and it happened to be a Neal Adams cover from a very popular title. It happened to be at least minimally story-focused.
I don't think this cover has a huge advantage over any of the covers I grabbed from Comic Book Resources latest posting of Marvel solicitation copy and covers.

If anything, I think that the two new covers are at least as eye-catching, at that seems to be the most important feature of any cover.

This all may be purely editorial or management directed, but when they choose to, editors and artists can also come up with some great modern covers that function as storytelling.

Much maligned Mike Mayhew, for example, produced this cover for an upcoming issue of The Pulse, and I think it does a great job as a story tease, and as an eye-catching cover for a super hero title. It tells you enough about the interior story, and has a strong enough design sense to direct your attention to it on the stands. I only hate to imagine what adding all the required cover copy will do to these images.



And lest I forget, Marvel can also provide some awful cover fodder. This new title was the focus of their latest in-house preview magazine and it is outright ugly. I only hope, for the title's sake, that this cover is not the final one used.

Searching For A Future Clarity

I like music. I like it very much. I listen to music of my choosing every day. This is not a passive, I like what I hear when I hear it type of music listening. This is a decision to choose music that appeals to me every day.

Several years ago, I had a conversation with an acquaintance about the music I listened to. He could tell, from hearing what I listened to that I was passionate about my choices, and that I listened to music that was important to me. He said that he used to feel the way that he imagined that I felt, and that I would see, one day I would grow out of it. One day it just wouldn't be so important. I couldn't see that day, but I didn't discount the idea that when he felt passionate about music, he wouldn't have been able to see the day that the passion would fade.

The point of this anecdote is that my passion for many things has faded. I don't experiment with music as much as I used to. My money and time has been diverted towards other concerns. I don't read about unfamiliar musicians or groups as much as I used to, I have limited this significantly. I care much, much less about live performance then I used to. I do feel, however, that listening to music is a constant in my life, and that I care for the music in a significant way.

All of this brings me to my point. That I am still able to find bands that I connect with. Not through nostalgia, or desire to fit an image, but through a desire to connect with the art of making music that I can relate to. The band I wanted to share today is Against Me! Their newest CD is pictured here. It is energetic, intelligent, literate, aurally appealing, and passionate. It is not their best, but I do think it is the best to recommend to a new listener, mainly because I think it is the most accessible choice (out of three and a half albums). It is well-produced and I think that anyone that enjoys music created with guitar, bass, drums, and voice should hear it. I think it's important that many, many people hear it. Some other time, I will write about why it's not as good as the others, and why it is a perfect example of the difference between "art" and "Art." But not today.